Peter Menzel and Faith D'Aluisio
Peter Menzel and Faith D'Aluisio Freelance Photo-journalists
Peter: Well, in the beginning, I got a degree in photojournalism from a school in Boston in 1970.
Faith: Boston University. You can say that.
Peter: Boston University -- I can say that, but they're going to come after me now. But it was impossible to get a job as a photojournalist, so I started freelancing from the very first and had had a job as a cab driver, and I took pictures of some of the people in my cab and did some stories for the Boston Globe. Then I started doing work overseas for textbook companies in Boston, shooting things in France and Italy and Germany and Spain and working all over the world on -- not really work-for-hire, but a freelance basis.
Once I was good enough, then I really wanted to work for National Geographic so I hounded them for a while and then finally they called me to do a few jobs after they had seen all my work in other magazines, which --
Faith: Mostly foreign magazines.
Peter: Mostly foreign magazines, but then there were a lot of science magazines in the late '70s and '80s too, and I really love science. So I became a magazine photographer that was just going nuts shooting all the time for a lot of big magazines, but then I sort of got burned out on that a little bit and I thought that there might be a more lasting way to do photography that isn't tossed into the rubbish bin every week or every month, and I wanted to do a book project, and I came up with the Material World project, which looked at average families in 30 countries and what they possessed and what made people happy, what made people content.
What makes a great photojournalist?
Answered by Rick Smolan
How can visual effects be used for location shots?
Answered by Discovery Channel
What's it like to be silent for two months?
Answered by Stephen Tobolowsky